en Cuevana 3. Against all odds, Dolorès Marat quietly built a personal body of work on the fringes of fashion and the world of contemporary art. Timeless images, evanescent but persistent, like so many interior landscapes bathed in solitude. Working through an alphabet primer from Avignon (at the blue hour) to Ventoux, from the apartment-studio to hanging the "Cascades" exhibition, the director follows in the footsteps of the frugal Dolorès, shy yet bold, always sincere.