en Cuevana 3. A writer, who wants to make a film about today's Chile, departs from the usual forms of filming to grasp the mystery of things. He approaches the desired film, in the middle of a relationship crisis, caused by Marcy, a disturbing woman-child who drags him into a fascinating crazy-love relationship. And because the writer understands that true creation involves detaching himself from any subjection to the practical world and accepting the catastrophic as a form of secular holiness, he performs, in the end, an act of immense generosity.