en Cuevana 3. This Blakean cinematic catalog of closely framed images, often representing oppositional properties such as growth and decay, or nature versus artifice, is an exploration of color and light. As the film progresses, its evocation of an exterior garden is transformed as through alchemy or magic to a darkened interior with a female form. The soundtrack’s sole feature is an unidentified woman singing the Liza Lehman song “Fairies” (based on the poem by Rose Fyleman).