en Cuevana 3. The film No Shooting Stars by Basim Magdy is built around the personal narrative of an unidentified inhabitant of the ocean space, a territory that lays dormant on the margins of our awareness and does not enter history books. Dream-like scenes drift in dissonance with a narration that has no beginning or end. It unfolds like a poem that is affected by the ocean’s secrets but offers no explanation about who is living under the water’s surface, instead meandering through loops of imagination. The image of who exactly the narrator is slips away as soon as it takes shape, reflecting the logic of the unstable grounds of water space.